The anticipatory energies
of regretfully
(be)coming
Sometimes I feel I am living my former self’s greatest fantasies
Other times I worry I’ve become my former self’s worst nightmares
Yet the regretful reality is:
I cannot change the nature of being and becoming
The anticipatory energies of regretfully (be)coming
Soft pastel, charcoal, gesso, linseed oil and fluid on canvas
90cm x 70cm
2026
“The law of gravity applies to memories too.”
Tomasz Jedrowski, Swimming in the dark (Bloomsbury, 2020), pp.22
Memories of fantasies
Charcoal, soft pastel, gesso and linseed oil on card
50cm x 70cm
2026
“Then I saw him still staring at me. And his eyes were so beautiful and, as it hit me for the first time, so thoroughly green, that I had to look at them some more. My impulse had always been to look away to avoid his eyes, but they held me, and I wanted to be held by them, for they were ordering me not to turn away this time, for this was why adults stared each other in the eye: you looked straight back and there was no running away for cover, because you were invited to stare too, because it was no longer a breach of any kind, it was a breach not to stare - which is when I realized that what I’d been craving all this time was his eyes, not his hands, not his voice, not his knees, or even his friendship, just his eyes, for I wanted his eyes to rest forever on me the way they were doing just now, because I loved the way they hovered over my face and eventually landed on my eyes like the hand of a holy man who is about to touch your eyelids, your forehead, your whole face, because his eyes kept swearing I was the dearest thing in the world, because there was piety, grace, and beneficence in his gaze that favored me with its beauty and told me there was no less piety, beauty, and grace in mine.”
André Aciman, Enigma Variations (Faber & Faber, 2017), p.53
Frisson
Charcoal and soft pastel on card
50cm x 70cm
2026
“He was not afraid or ashamed anymore. After all, the forests and the night were on his side, not theirs; they, not he, were inside a ring fence.”
E.M. Forster, Maurice (Faber & Faber, 1971), p.234
Contemplation
Charcoal and soft pastel on card
50cm x 50cm
2026
“I was looking for some whisper, or promise, of my possible salvation. But it seemed to me that morning that my ancient self had been dreaming the most dangerous dream of all.”
James Baldwin, Giovanni’s Room (Penguin Classics, 1956), p.130
Imprinted on me
Woodblock print of ink on paper
Edition of three
17cm x 23cm
“You called me the love of your life, but ran repeatedly into others’ arms. Although you wanted to provide for me, your heart could not offer what I deserved. A cage made of gold is still a cage, and mine was fool’s gold after all.”
Personal diary entry, July 2026
Forbidden visions
Charcoal, soft pastel gesso and linseed oil on canvas
70cm x 50cm
2026
“I did it, I left him today. I packed some of my things and moved them out… it feels like exactly the right decision… for now, all I feel is a sense of liberation.”
Personal message to a friend, July 2026
Mediterranean mirage
Charcoal and soft pastel on pastel card
65cm x 50cm
2026
“Love is a feeling, a belief, a compulsion towards another, in the good times and the bad. But the act of love – the act that truly matters – is to choose each other again, and again, and again. But when there are opportunities to choose each other as an act of desire, you don’t choose me.”
Break-up letter to my former lover, July 2026
You don’t choose me
Charcoal and soft pastel on paper
158cm x 71cm
2026
“I have loved you so deeply, so much that I proposed to spend the rest of my life with you – what a beautiful vision to have, for me, for you, for us both.”
Break-up letter to my former lover, July 2026
I let myself drown in the brilliance of your light
Graphite, charcoal, soft pastel and shellac on paper
61cm x 48cm
2026