Series in development
2026
Royal College of Art series
2025 to 2026
Self-taught series
2021 to 2025
Artist collaborations
2025
Highlights
Academia
Royal College of Art: Graduate Diploma in Art & Design with a specialism in Fine Art (2025-26)
“The power of the erotic: representing the gay male form” lecture delivered at Erotic Art London at Copeland Gallery (2026)
BSc (Hons) First Class and PGDip Distinction from Russel Group universities
Press
Clast Magazine, Issue Six (2026): “Printmaking plays a frequent role in my practice, as I appreciate how the process itself often relates to the themes in my artworks. I believe that every interpersonal interaction leaves an impression on us - whether small or large, unseen or visible - much like a metal plate leave an impression on paper under the pressure of my hands during printing. Therefore, I often choose this medium to portray human subjects or emotional experiences, believing it symbolises the lasting impacts of real life.”
Selected exhibitions
Copeland Gallery, London: Erotic Art London (2026)
South Hill Park’s Mirror Gallery, Berkshire (2026)
LumiNoir Gallery, London (2026)
The Orangery at Holland Park, London (2025 & 2026)
AdLib Gallery, Surrey (2025)
BobCat Gallery, London (2025)
Recent acquisitions
Artworks are held in private collections spanning the UK, Europe and North America
Commission (title undisclosed) of large drawing on linen canvas, for a culinary chef in London
Commission (title undisclosed) of a small drawing on linen canvas, for a diplomat in Brussels
An island called okayness (edition of five), sold at the Royal College of Art’s Hangar Gallery
My men in our bed, sold at Holland Park Annual Exhibition
Artist statement
My work has always represented a longing for something I deeply crave but cannot have – to feel safe, to feel understood, to feel desired, to feel entirely loved. Obsessed with the male form as my subject, I have come to use drawing and printmaking as a way to bare my psychological nakedness by deconstructing and reconstructing nude others.
I examine the realities of, and tensions between my personal perceptions of male bodies – of the self and other – as sites of both desire and disgust. In doing so, I ask the viewer to consider questions of not only identity and sexuality, but more fundamentally to sit with the forms of dissonance or resonance between internal and external realities which they feel in relation to the artworks’ portrayals.
By nature, many of my artworks are psychosocial constructions. I believe that unapologetically depicting queer bodies and intimacy – in any manner – elevates the visibility of matters which were historically considered improper, immoral or even illicit, and still are classed as such in some communities even today. The implicitly erotic has the potential through visibility and social commentary to hold power across society; it should not be solely restricted to the bedroom.
Attracted to the dry media of charcoal and soft pastels for the tensions they bridge – between delicacy and density, permanence and smudging – I smear these pigments across paper to enable the male physicality which exists in my mind’s eye to be made real on the surfaces I touch. Conversely, I use printmaking to embed permanent marks onto paper, in ways which mirror the intimate experiences whereby other people’s actions are imprinted within each of us. Simultaneously, I take a socio-political stance of favouring the creation of monoprints as a subversive challenge against the heteronormative social value placed on reproducibility.
Living in London and south-east England, I am a fine art graduate with distinction of the Royal College of Art. I have exhibited across London and the UK, and my artworks are held in private collections spanning the UK, Europe and North America.
“Lewis' practise was birthed out of lived experience... [the factors which] shaped and constrained his internal world. Through an act of resistance, he navigates his internal and external realities. By exploring male identity, sexuality and unrealised desire he is piecing together the fragments of the gaze once imposed upon him; in an act to heal, build and rise up to the world that he wants to live in.”
-Hein Floris Jurgens, emerging contemporary artist