Graduate collection |

Graduate collection |

My work has always represented a longing for something I deeply crave but cannot have – to feel safe, to feel understood, to feel desired, to feel entirely loved. Obsessed with the male form as my subject, I have come to use drawing and printmaking as a way to bare my psychological nakedness by deconstructing and reconstructing nude others.

In recent times, I have been examining the realities of, and tensions between my personal perceptions of male bodies – of the self and other – as sites of both desire and disgust. In doing so, I ask the viewer to consider questions of not only identity and sexuality, but more fundamentally to sit with the forms of dissonance or resonance between internal and external realities which they feel in relation to the artworks’ portrayals.

By nature, many of my artworks are psychosocial constructions. I believe that unapologetically depicting queer bodies and intimacy – in any manner – elevates the visibility of matters which were historically considered improper, immoral or even illicit, and still are classed as such in some communities even today. The implicitly erotic has the potential through visibility and social commentary to hold power across society; it should not be solely restricted to the bedroom.

Attracted to the dry media of charcoal and soft pastels for the tensions they bridge – between delicacy and density, permanence and smudging – I smear these pigments across paper to enable the male physicality which exists in my mind’s eye to be made real on the surfaces I touch. Conversely, I use printmaking to embed permanent marks onto paper, in ways which mirror the intimate experiences whereby other people’s actions are imprinted within each of us. Simultaneously, I take a socio-political stance of favouring the creation of monoprints as a subversive challenge against the heteronormative social value placed on reproducibility.

Living in London UK, I am a graduate student at the Royal College of Art. Additionally, I hold two science degrees and formerly excelled in a healthcare-centred career.

Royal College of Art series

2025 to 2026


Other artwork series

2021 to 2025


Artist collaborations

2025

“Lewis' practise was birthed out of lived experience... [the factors which] shaped and constrained his internal world. Through an act of resistance, he navigates his internal and external realities. By exploring male identity, sexuality and unrealised desire he is piecing together the fragments of the gaze once imposed upon him; in an act to heal, build and rise up to the world that he wants to live in.”

-Hein Floris Jurgens, emerging contemporary artist

Selected exhibitions

  • Ad Lib Gallery, Wimbledon

  • BobCat Gallery, Putney

  • LumiNoir Gallery, The Regent’s Park

  • The Hangar Gallery at the Royal College of Art, Battersea

Acquisitions

Many of Lewis’ artworks on the website are for sale, please enquire for more details by emailing: acquisitions@lewis-hier-thomas.art

If you have seen Lewis’ artwork at a gallery and are interested in acquiring the piece, please contact the gallery directly

Reproduction prints

If you are interested in buying archival-quality giclée reproduction prints for affordable prices, please visit Lewis’ reproduction print store by clicking here

An island called okayness (edition of five)

Recently acquired to a private collection, sold at RCA Hangar Gallery